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Aputure
Flight Risk BTS

Film and TV Production

Production is a marathon. Every setup counts. Your crew needs a precision lighting toolset that solves problems fast, fits into your workflow, and works every time.

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Aputure Cinema Lighting and Control Built for Production

Build your lighting package with Aputure, the only manufacturer to offer LED lighting in every category, from high-output point source lamps to pocket-size mini panel lights.

Our fixtures are an industry standard, used on productions all over the world.

Ease of Use
Ease of Use
From hardware design to UI, we make our lights easy to set up and control. With Aputure, you don’t have to choose features over function.
Precision Tools
Precision Tools
Aputure defines the cutting edge. Aputure fixtures feature revolutionary light engines and work seamlessly with our wide range of modifiers.
Integration
Integration
The Aputure ecosystem matches with itself and with any other light. Use the same lighting package in sunlight and at night, on stage and in the middle of a rainstorm.
Built for Production
Built for Production
Aputure’s lighting families share a rugged zero-compromise build. Fixtures are available in rental-ready kits and with Cine options like skids.

Merging Romance and Texas Sun in Ransom Canyon

Netflix’s hit Western saga’s camera and lighting team needed bright, punchy light to match sunlight.

Staten (Josh Duhamel) in the Kirkland Ranchhouse set
Staten (Josh Duhamel) in the Kirkland Ranchhouse set

“We have a bunch of haze in the room, and on the outside, we just had an XT26 bouncing into a Lightbridge.”

Eric Koretz

Eric Koretz

Cinematographer

Production moved between locations and stages, and output was critical, as was the ability to heighten the romantic tone.

The Electro Storm XT26 was a key tool. “The XT26 I’d say was a replacement for a 4k [HMI],” Koretz says.

To keep the heightened reality present in the visuals, light was almost always softened, bounced, or broken up.

Light Storm 1200ds and the 600c Pro also played a role, supporting sunlight through windows and as moonlight for exterior scenes.

Go behind the scenes with Eric Koretz.

Read the Whole Case Study

Aputure on Film and TV Sets

Learn how cinematographers and their teams overcome unique challenges.

Flight Risk still
Grounding the High-Altitude Action of Flight Risk
Dune Part Two still
Crafting the Oppressive Sunlight of Dune: Part Two
Cobra Kai Season 6 still
Lighting the Past and Future in Cobra Kai VI

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