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Film and TV Production

Production is a marathon. Every setup counts. Your crew needs a precision lighting toolset that solves problems fast, fits into your workflow, and works every time.

Cinema Lighting and Control
Built for Production

Build your lighting package with Aputure, the only manufacturer to offer LED lighting in every category, from high-output point source lamps to pocket-size mini panel lights.

Our fixtures are an industry standard, used on productions all over the world.

Sidus Link Pro running on an iPad

Ease of Use

From hardware design to UI to Sidus, our lighting control ecosystem, we make our lights easy to set up and use. With Aputure, you don’t have to choose features over function.

NOVA 9° 2x1 3-Light Kit

Precision Tools

Aputure defines the cutting edge. Aputure fixtures feature revolutionary light engines and work seamlessly with our wide range of modifiers.

Aputure lights being used on set

Integration

All Aputure lights match with each other and feature uniform menus. Fit into any professional workflow with support for DMX, CRMX, sACN, and Art-Net.

Production ready

Built for Production

Aputure’s lighting families share a rugged zero-compromise build. Fixtures are available in rental-ready kits and with Cine options like skids.

Merging Romance and Texas Sun in Ransom Canyon

Netflix’s hit Western saga’s camera and lighting team needed bright, punchy light to match sunlight.

Staten (Josh Duhamel) in the Kirkland Ranchhouse set
Staten (Josh Duhamel) in the Kirkland Ranchhouse set

We have a bunch of haze in the room, and on the outside, we just had an XT26 bouncing into a Lightbridge.

Eric Koretz

Eric Koretz

Cinematographer

Production moved between locations and stages, and output was critical, as was the ability to heighten the romantic tone.

The Electro Storm XT26 was a key tool. “The XT26 I’d say was a replacement for a 4k [HMI],” Koretz says.

To keep the heightened reality present in the visuals, light was almost always softened, bounced, or broken up.

Light Storm 1200ds and the 600c Pro also played a role, supporting sunlight through windows and as moonlight for exterior scenes.

Go behind the scenes with Eric Koretz.

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