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The Pitt Season 2 still
Aputure Case Studies

Pacing the Sun: How The Pitt Lit Fast-Paced Daylight Exteriors

The Pitt Season 2 poster

Production

  • The Pitt Season 2

Production Info

  • Director: John Wells
  • Cinematographer: Johanna Coelho, AFC
  • Chief Lighting Technician: Keelan Carothers
  • Year: 2026
  • Production Company: Warner Bros, HBO
  • Distributor: HBO

Why Cinematographer Johanna Coelho, AFC, and Chief Lighting Technician Keelan Carothers chose Aputure STORM XT52s over traditional 18kW HMIs to capture daylight exterior setups for The Pitt.

Capturing Chaos: Inside the Camera and Lighting Workflow of HBO’s The Pitt

Day exteriors present distinct operational demands for cinematographers, requiring precise management of bright natural sunlight within tight production schedules.

Heading into Season 2 of HBO’s The Pitt, Johanna Coelho and Keelan Carothers evaluated Aputure’s STORM XT52 as an alternative to standard 18kW HMI booklight configurations for the Ambulance Bay location.

Powered by Aputure’s BLAIR light engine, the STORM XT52 combines high-fidelity daylight spectrum with output comparable to traditional 9kW HMIs. Its lower heat output allowed the team to streamline booklight setups and position diffusion in tight proximity to performers while maintaining comfort on set.

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Challenge

Building on the critical acclaim of its inaugural season, the creative team behind HBO’s The Pitt entered Season 2 intent on elevating both its narrative arc and the technical approach employed by the lighting and camera crews to capture the action.

Cinematographer Johanna Coelho, AFC, and Chief Lighting Technician Keelan Carothers sought a powerful LED solution that could keep pace with the production schedule and match the sun’s shifting color and intensity across the story’s extended twelve-hour daylight shift. Tungsten and HMI fixtures have long been motion-picture lighting standards because of their ability to reproduce the warmth, texture, and intensity of sunlight. For the Ambulance Bay set, Coelho and Carothers needed similar performance with greater flexibility.

Solution

Following technical discussions with Aputure and hands-on testing, the team identified the STORM XT52 as the right fixture for the production.

Serving as a primary narrative anchor, the Ambulance Bay visually communicates the passage of time throughout the twelve-hour shift at Pittsburgh Trauma Medical Center. Thanks to the XT52’s BLAIR light engine, the lighting team seamlessly matched or countered dynamic solar color temperatures to create any required hour of the day.

Capturing the relentless momentum of an emergency room required an agile technical workflow. Transitioning to LED technology eliminated lengthy striking warm-up times, enabling the unit to reach full intensity instantly while drawing just 32 amps at 240V AC to keep pace with an expedited production schedule.

To overcome space constraints on the Ambulance Bay set, Coelho and Carothers deployed the XT52 to construct a compact booklight rig. The fixture’s minimal heat signature allowed them to position diffusion and high-output units in close proximity to actors without compromising talent comfort or performance.

Results

The team transitioned from a single STORM XT52 evaluation unit to a permanent four-fixture deployment in lieu of the previous two-fixture 18kW HMIs for their booklight setup, allowing the crew to efficiently light both the primary Ambulance Bay stage and interior hospital sets via daylight-balanced window pass-throughs. Integrating Aputure’s latest LED innovations enabled Coelho and Carothers to streamline lighting workflows while honoring the authentic, high-stakes atmosphere of a fast-paced medical center. By eliminating thermal overhead and reducing setup footprints, the lighting department consistently met demanding production schedules without sacrificing cinematic control or talent comfort.

Ultimately, combining cutting-edge BLAIR light engine technology with seasoned technical craftsmanship empowered the crew to deliver an immersive visual narrative that faithfully reflects the relentless dedication of frontline medical personnel.

Johanna Coelho

Johanna Coelho is a French-born cinematographer working across film and television. Named one of Variety’s 2018 “Up Next” filmmakers and recipient of the ECA Distinguished Filmmaker Award in 2025, she is the sole Director of Photography on The Pitt Seasons 1 and 2. Her previous work includes Season 2 and 4 of The Rookie, as well as a variety of content from narrative to documentary for major studios and streaming platforms. Her recent feature films Séance premiered at the Newport Beach Film Festival, and All Happy Families at the Chicago Film Festival before receiving a theatrical release. She studied cinematography at the American Film Institute.

Keelan Carothers

Keelan Carothers is a Los Angeles–based Chief Lighting Technician working primarily in film and television. He serves as the CLT/Gaffer on HBO’s The Pitt, overseeing advanced LED systems and immersive 360-degree sets, and collaborating with the cinematographer to design and execute lighting that supports story, tone, and performance. Additionally, Keelan has gaffed and been the cinematographer on numerous independent features, as well as countless commercials and short films. As a Lighting Technician, Keelan has had the pleasure of working on notable sets such as Disney’s The Mandalorian, The Book of Boba Fett, and Ashoka.

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Featured Products

STORM XT52

5,200W tunable white high intensity point source lamp

$13,100
STORM XT52 Reflector Kit

Narrow and wide reflector kit for the STORM XT52

$690